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WORK

BODIES OF WORK

VOID

MYTHS & GODESSESS, 2023

In art history women have been depicted for the ‘male gaze’; inactive, submissive and demure. My work is focused on the ‘female gaze’; my femme identifying figures have agency, are empowered and comfortable with who they are.

 

In ‘Myths and goddesses’ I explore and re imagines depictions of women in classical mythology.

THIRTY THREE

SUBMERGED, 2023

Water and the feminine have been traditionally linked in literature and art; Ophelia, rejected by Hamlet and facing the loss of her father drowns herself; her last words being focused on these men, and in Kate Chopin's The Awakening, protagonist Edna Pontellier disappears into the waters of the gulf of Mexico when facing being stuck in a loveless subservient marriage, and left by the man she was having an extra marital affair with.


There are extensive depictions of women at the mercy of men opting to punish themselves for their own and other's transgressions; images of the female body floating in water in response to male treatment and for the male gaze; dis-empowered and voiceless.

This series explores the serenity, peace water represents and the strength and power of female bodily autonomy, radical acceptance and joy.

FYI: I'M ABOUT TO LOVE YOU

BEAUTIFUL BODIES, 2023

An exploration of the female form.

FRAGILE CONCRETE

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STORE POLICY

I live and work on the land of the Gadigal people of the Eora Nation. I acknowledge the Traditional Custodians, the First Peoples of Australia and I acknowledge their many Countries, knowledges and cultures. I acknowledge their evolving, living cultures and dynamic relationships with Country and I pay my respects to their Elders past and present.

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Always was always will be, Aboriginal land.

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